Lecture 1 - Introduction: Why Study a Novel
Lecture 2 - The Art of Fiction
Lecture 3 - Classical Narrative Theory
Lecture 4 - Rhetorical Narrative Theory
Lecture 5 - Adaptation
Lecture 6 - How to Read a Novel
Lecture 7 - The Novel After Theory : Introduction
Lecture 8 - The Novel After Theory : Gender
Lecture 9 - The Novel After Theory : Class
Lecture 10 - Environment and Literature
Lecture 11 - Disability
Lecture 12 - Pride and Prejudice I : Scholarly Approaches
Lecture 13 - Pride and Prejudice II : Author Background and Context - I
Lecture 14 - Pride and Prejudice III : Author Background and Context - II
Lecture 15 - Pride and Prejudice IV : Theme, Form and Style - I
Lecture 16 - Pride and Prejudice V : Theme, Form and Style - II
Lecture 17 - Pride and Prejudice VI : Textual Analysis
Lecture 18 - Pride and Prejudice VII : Scholarly Approaches
Lecture 19 - Jane Eyre: Background (Author and Context)
Lecture 20 - Jane Eyre: Theme, Form and Style - I
Lecture 21 - Theme, Form and Style - II
Lecture 22 - Jane Eyre: Scholarly Debates
Lecture 23 - Jane Eyre: Textual Analysis
Lecture 24 - Intertextual Connections
Lecture 25 - Dracula by Bram Stoker : A Discussion - I
Lecture 26 - Dracula by Bram Stoker : A Discussion - II
Lecture 27 - Mrs Dalloway: Author Background and Context
Lecture 28 - Mrs Dalloway II : Theme, Form and Style
Lecture 29 - Mrs Dalloway III : Scholarly Debates
Lecture 30 - Mrs Dalloway IV : Textual Analysis - I
Lecture 31 - Mrs Dalloway V : Intertextual Connections - I
Lecture 32 - Mrs Dalloway VI : Textual Analysis - II
Lecture 33 - Mrs Dalloway VII : Intertextual Connections - II
Lecture 34 - Mrs Dalloway VIII : Textual Analysis - III
Lecture 35 - Atonement: Background (Author and Context)
Lecture 36 - Atonement: Theme, Form and Style
Lecture 37 - Atonement: Intertextual Connections
Lecture 38 - Atonement: Scholarly Debates
Lecture 39 - The Reluctant Fundamentalist I : Theme, Form and Style
Lecture 40 - The Reluctant Fundamentalist II : Textual Analysis
